Showing posts from February, 2021


Lately, I have been waking up extremely early on Saturday mornings. With the work week done, my mind turns to writing the next “Gatekeepers” article and will already be running through what the next subject will be, or what I should include.   This week, it became increasingly obvious what I should be writing. Hasbro has announced their “Mr Potato Head” line of toys will be renamed to simply “Potato Head,” with Mr and Mrs Potato Head as parts of the lines. Instead, this was interpreted as Mr Potato Head itself being made gender-neutral, and Piers Morgan was triggered into his usual Twitter tirade about woke virtual-signalling imbeciles, because “woke” uses fewer characters than “politically correct.” Perhaps everyone should be made to provide their own potato once more.   Meanwhile, American Republican politicians Marjorie Taylor Greene and Rand Paul – the latter named after Ayn Rand – were both rebuked for comments aimed at transgender people, repeating the usual mischaracterisations


This article is my first to have been written on my new computer, and therefore about why I took what amounted to a calculated leap of faith into spending a large amount of money on a tool to help me work better and more creatively. The leap of faith is hoping that the most obvious decision to make was also the right one.   My current computer is a Lenovo tower PC, a former display model bought in December 2015 from PC World. Its processor, an Intel Core i3, is really only suitable for web browsing, and while it could probably cope with making basic videos, what I need now was something more professional – video and audio production, 3D graphics, photography, things that require as much processing power as you can find. I could have gone for a Lenovo ThinkCentre, or an HP EliteBook, but in the back of my mind, I knew that PCs are not the industry standard for what I want to do.   What I bought is an Apple Mac mini, the first desktop computer to use their new Apple M1 system-on-a-chip p


  This is going to be a short piece about why the name of Jordan Brent Peterson has barely appeared in my writing of the last five years, and why it probably won’t appear again. There is certainly no point in my presenting a long analysis of what the Canadian clinical psychologist believes, and what is contained in his 2018 book “12 Rules for Life: An Antidote to Chaos,” because this has been covered exhaustively elsewhere in reviews, columns and videos. I am not planning to cover his sequel book, “Beyond Order: 12 More Rules for Life,” when it is published in March 2021, because that would involve having to buy a copy of it. Most likely, anyone who has also heard his name has already formed their opinion as well, and I am not planning to change anyone’s mind, so I can focus squarely on my own reasons for not wishing to engage with his thinking. I already own a copy of “12 Rules for Life,” the success of its release meaning I could find a paperback copy in my local supermarket fo


I have two reasons why I believe the idea of “the future” ended in 2003. Firstly, Concorde was withdrawn from operation by British Airways and Air France. Supersonic passenger air travel has been a thing of the past for almost twenty years. Secondly, the BBC cancelled “Tomorrow’s World,” a science and technology series that went out in prime-time, for a mass audience, demonstrating innovations from computers and the CD player, to the breathalyser and bulletproof vests. You may argue that neither of these stayed viable – a downturn in air traffic following the 2001 terrorist attack on New York, and a change in demands of “luxury” air travel the Concorde could not be modified to meet; or a downturn in the ratings of “Tomorrow’s World,” along with new technology being incorporated into the BBC News show “Click,” formerly named “Click Online”. Both have joined the museum of what was considered “the future” – an example of Concorde can be found at the Intrepid Sea, Air & Space M